Clew (2025)

LED Lightbox (photographic transparency, birch faced ply, perspex); installation - New Art Projects, London

Night-line (2023-5, 9 mins)

After dark, London assumes a different form, and new sensibilities emerge. Here, time and space, sight and sound, are recalibrated. Night-line pursues the nocturnal city, from dusk to the early morning. It locates a place of promise, a refuge, which envelops and haunts in equal measure.

Nearby (2025, 2 mins)

To be close at hand, not far away, is to be nearby. If a place, and who and what is found there, is within reach, its proximity generates specific awareness. And this intimacy offers visual and felt details that the casual visitor may miss or ignore.

Via (2024, 3 mins)

Unknown scenes speed past. Tracks lead to the horizon. But as the journey progresses, its linearity dissipates. Now, locations are untethered, movement sensuous, as travel takes on a transcendent trajectory.

Yesterday the Revolution Began (2024, 1 min)

Planned and casual, personal and collective, moments mark time’s flow. For most people in London, the 13th of December 1995 started out like any other day of the week. Yesterday the Revolution Began recalls several instances from the date that marked the start of that year's Brixton riot.

Heavy Plant Crossing (2023-4, 11 mins)

Currently, new ‘developments’ crowd London. But some spaces are still commonly held, where something other than the ceaseless pursuit of capital can be envisaged. One such place is Hackney Marshes, east London. This borderland is explored, and through this investigation its liminal and transitional presence are questioned and re-imagined.

Heavy Plant Crossing (expanded performance)

Live sound by Matt Harding (electronics) & Sue Harding (foley) at Beyond Beck Road II: Underline, Open House Festival, London, 2023

Repo (2023, 1 min)

An omnipresent vantage-point: Individuals - on foot, cycling, in cars - traverse the landscape, which is part of Hackney Wick's post Olympics’ ‘redevelopment’, their movement forms a map of transitory and otherwise invisible intersection.

One Axe (Plumstead Connection) (2022, 1min)

Sunday afternoon, a field-of-view, as seen from the Greenway, Abbey Mills section. Voices and wildlife suggest unseen presence. The scene is now history, but a point-of-view remains, forever this time and place.

In Plain Sight (2022, 12 mins)

The film is situated in Maryon Park (Charlton, southeast London), which also featured in Antonioni’s Blow Up (1966) and this is the film's starting point. The park is a liminal place where the environmental, historical and cultural intersect.

Grand Union (2016, 17 mins)

The Regent’s Canal is walked on winter solstice, from dawn to dusk. Seeing the city from this vantage point allows a different place - once industrial, now largely residential - to become known.

Unto You (2008, 11 mins)

Family photographs are examined, the surface inspection articulates the need to know more, and to understand the significance of genetic reflection. Unto You is an exploration of absence and intimacy.

Situation (2008, 2 min)

Situation suggests a 'relative position or combination of circumstances at a certain moment'. This situation relates an act of intervention, which altered a shared environment and public perception.

In Flight (2008, 5 mins)

The elemental order of things is challenged by synthetic intervention. However, audio visual synthesis brings the disparate elements together, which allows a different, created, environment to emerge.

Sunday (2006, 7 mins)

Sunday is still, for many, a time to rest and dream. As the day proceeds the city is traversed and patterns of activity are revealed. But, with the waning of the day the spectre of the coming week emerges, and the day's repose recedes (once again).

Tyburn Way (2006, 19 min)

A walk from the Old Bailey to Marble Arch. This is the route that condemned prisoners once took to the gallows. This journey traces timelines, explores contemporary London, which reveals itself through spectacle and human interaction.

Doorway (2006, 1 mins)

A domestic scene: dark garden, washing blows on a line, television plays inside a house. The sound and image of a detective show inter-cuts with the exterior environment, altering it and bringing violence to the conjoined night.